Visual Anthropology
Visual anthropology is a subfield of social anthropology that is concerned, in part, with the study and production of ethnographic photography, film and, since the mid-1990s, new media. More recently it has been used by historians of science and visual culture. Although sometimes wrongly conflated with ethnographic film, Visual Anthropology encompasses much more, including the anthropological study of all visual representations such as dance and other kinds of performance, museums and archiving, all visual arts, and the production and reception of mass media. Histories and analyses of representations from many cultures are part of Visual Anthropology: research topics include sandpaintings, tattoos, sculptures and reliefs, cave paintings, scrimshaw, jewelry, hieroglyphics, paintings and photographs. Also within the province of the subfield are studies of human vision, properties of media, the relationship of visual form and function, and applied, collaborative uses of visual representations.
Anthropology
Every culture faces the same fundamental challenges. Men and women come together, children are brought into the world, nurtured and sheltered; elders are led into the realm of death as fearlessly as the imagination allows. To be human is to know the terror and splendour of a night sky, the crush of storms, the blood cries of enemies sweeping in with the dawn. Such is our common experience. To bring order to chaos, sense to sensation, we have created rules, which cross-culturally are remarkable in their consistency. ... Yet within this common fabric, this cloak of humanity, lie the individual threads of specific and highly specialized ways of life, distinct cultures, each with its unique and wondrous dream of the Earth. Unravelling the cloth and holding the strands to the light is the practice and contribution of ethnography.
Wade Davis, Light at the Edge of the World (2007)
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